The Future of High School English

A few weeks ago, Wendy Jackson brought this popular YouTube video to my attention:  a young man explaining that he has dropped out of school because traditional, institutionalized education was getting in the way of his learning.

It got me thinking about our English Department and the important role our discipline has to offer high school students.

In our media-centric society, I believe that the subject of English has some of the most vital skill sets to pass on to students. It is in English class that students are taught how to analyse texts and evaluate online resources, how to organize information and communicate clearly, and how to publish accurate, relevant, and valuable information and ideas.

Equipping Digital Citizens

While we equip our students for the world they will face outside of high school — for the online discussion boards in college and university (moodles, wikis, blog portals, and more), and for the communication and research technology of the workplace — we should equip them to be positive contributors to our wired world. While we cannot, and should not, attempt to familiarize our students with every technological tool available, we should remove anxieties students may have about technology and empower our students for using online, electronic communication to make the world a better place. (Image by waffler)

From Memorization to Searching

From the trivial facts found in any almanac, to the masterpieces in Shakespeare’s folios, we educators love the information and ideas that great minds before us have passed on.  Many of us have gone to the trouble of memorizing trivia about subjects we’re passionate about.

Our students, however, live in a world where trivia is at their fingertips.  They sometimes come to class with the impression that information is “cheap” or even worthless because it’s so readily available.  In other words, it’s not worth learning.

And here’s what I want to say to them, or at least to show them in our classrooms:  Information and ideas are valuable. They shape our culture and run our economy.  But unlike when I went to school, memorization isn’t the single greatest key to uncovering the value.  Smart searching is.  Yes, technology can deliver facts at a keystroke, but a foray into a search engine’s results can be a murky swamp.  Students must be taught to discern and evaluate relevant information, and knowledge is required for this recognition. Organizing, comparing, ranking, discerning, evaluating, and ultimately communicating: these are the critical skills that they need to be able to work with information and ideas. (Image by a trying youth)

Critically Analyzing Texts

Ontario’s Ministry of Education recognized the need to equip students for an information society by adding “Media Studies” as one of the four major strands of the 2007 English Curriculum, on par with Reading, Writing, and Oral Communication. Though I continue to begin each course with a brief Media Studies unit, I see a great need to embed the use of media throughout the course, in the teaching of the other three strands.

The school board has also added an emphasis on Differentiated Instruction, increasingly offering choices to students — choices that teach to the multiple intelligences. As English teachers, we give students the framework for understanding text… any text. We provide a wide range of texts and present many formats for analysing and understanding these texts. A classic text such as Shakespeare, which is unfamiliar for most students and is an excellent equalizer, becomes a launching pad for students to explain using their own derivatives (an audio cast, a Movie Maker slideshow, blog postings and discussion forums). (Image by skippyjon)

Creative, Clear Communication

The English language continues to be transformed and our jobs as educators is not to defend and preserve the language as we know it, but to teach clear and intelligent communication. Though it used to be said that the spoken word perished while the written word remained, the information superhighway has made even the written word free — that is to say, it is not only inexpensive, but it is liberated. And, being liberated, it is ephemeral (it is easily deleted) and it is easily lost (under a mountain of other words). The written word no longer remains bound to text books on a shelf in a classroom. The written word is free. We shouldn’t try to bind it with strict writing styles that do not reflect the medium in which citizens interact, but we must allow students to try their ideas in a manner appropriate for their future. Student creativity must be stoked, not squashed. It is in the English classroom where this creativity and these necessary communication skills should flourish. (Image by Caitlinator)

The Book of Negroes, Jane Eyre, and Heart of Darkness Literature Circles

Returning from March Break next week, my Grade 12 students will be participating in Literature Circles to focus on servants & slaves, colonialism & empire, and racism. In discussion groups of five, students will use either Lawrence Hill’s The Book of Negroes, Charlotte Brontë’s Jane Eyre, or Joseph Conrad’s Heart of Darkness, to prepare a portfolio of their learning. Individually, students will prepare a narrative essay of the reading experience.

Prejudices, it is well known, are most difficult to eradicate from the heart whose soil has never been loosened or fertilized by education; they grow there, firm as weeds among stones. (Jane Eyre, 362)

Before assigning groups and distributing novels, I hope to show highlights from Amazing Grace (the film about British abolitionist William Wilberforce), read Abraham Lincoln’s Gettysburg Address, watch Martin Luther King, Jr.’s I Have a Dream, and watch Barack Obama’s Inaugural Address: not for in-depth study, but simply to have this prolonged abolitionist timeline as the backdrop to this novel unit.

Reflective Blogging (Reading Notes)
Because students will be living within only one of the above narratives, analysing relationships between characters in order to determine Pre-Victorian and Victorian perceptions and misconceptions of slavery, servitude, and race, students will need to be reminded that the novel itself is a constructed text and critical questions will need to be asked of its own framework, its own source, its own purpose. To assist with this, I think I will require that students post at least four reflective blog entries during this novel unit. Students should comment on surprises, questions, and predictions regarding the text. At the end of the unit, I could have students evaluate their learning using the blogging self-evaluation rubric.

We were lined up in a coffle of captives, attached by the neck in groups of two or three and made to walk. (The Book of Negroes, 31)

Electronic Portfolio
In past semesters, I’ve always enjoyed having students rotate through an almost-daily literature circle role including: Questioner (Discussion Leader), Summarizer, Researcher, Illustrator, Curator, and Connector. These completed roles for each chapter could be posted on the class wiki as groups build their electronic portfolio and learning would then be assessed using self and peer evaluation, as well as the literature circle portfolio rubric.

The maniac bellowed: she parted her shaggy locks from her visage, and gazed wildly at her visitors. I recognized well that purple face – those bloated features. (Jane Eyre, 311)

Reading Narrative Essay
Using their own reading notes (their reflective blog posts), I’m hoping to have students develop a 500-800 word narrative of their reading experience highlighting major themes of the novel and I could adapt the reading narrative essay rubric that I’ve used in the past.

Only the barbarous and superb woman did not so much as flinch, and stretched tragically her bare arms after us over the sombre and glittering river. (Heart of Darkness, 109)

I’ve got a week to put the finishing touches on this unit, but, from the horror and the tragedy of colonial slavery, to the honour and dignity of cultural identity, I’m hoping that this educational experience prevents racist attitudes in this group of graduating high school students.

——
Image by Doug88888

Updated Lear Lesson Plans

A number of readers pointed out to me that my King Lear Lesson Plans posted last Fall only included the first five lessons. I’ve finally got around to posting the remainder of the unit and all links in the earlier posts should be updated.

Reading Reflection: Herodotus' The Histories on the iPad

I am convinced, along with a number of other teachers, that I could benefit from owning an iPad. I didn’t read Herodotus’ The Histories on an iPad because, unfortunately, I do not yet own this wonderful new device from Apple. I did, however, just finish reading that classic, weighty tome – the first example of historical writing in Western civilization – lugging it around in my brief case, to and from work, and from class to class.

It was, at least, an absolutely beautiful copy: last year’s The Landmark Herodotus, edited by Robert B. Strassler, complete with pictures of artifacts and numerous maps. Probably the best book published on ancient Greece in recent history. I was quick to share it with my colleague in the History department who gushed over it… until he opened it. “Oh, too bad it isn’t in colour.”

No kidding. All that love and care, only to publish it in black and white.

Now, imagine The Landmark Herodotus on an iPad. Colour? Of course. Maps? You bet; and much more interactive, at that. And so much more. Hyperlinks. Video. My goodness. The iPad will change the way we read.

The illustrated edition of Dan Brown’s The Da Vinci Code was wildly popular because of the many references to art, architecture, and history, brought alive through accompanying images. The same goes for Lawrence Hill’s The Book of Negroes (published as Someone Knows My Name for our American neighbours). Well, as more and more of us pick up an iPad, we’ll expect every book to include, not just images, but hyperlinks and more. Our reading experience, for better or for worse, will be revolutionized.

Incidentally, Herodotus’ The Histories was interesting, but not a book that I will be quick to return to. His digressions were worth hearing – interesting (and degrading) stories about cultures to the east of his home – still, nothing against Strassler’s translation, but I’d like to read a completely re-written account of the history of the Greek-Persian wars. I don’t have the ability to read it in the original Greek, but I didn’t find the prose particularly uplifting. What would The Histories sound like under the pen of Tom Wolfe, or of Guy Vanderhaeghe?

Give it the wit that Herodotus avoided, and put it on the iPad, and we’ve got a story our students would love.

——

Image by bazylek100

Presentations: Digital Citizenship and Online Research

I begin almost every course that I teach with a brief media unit on 21st century skills and media literacy. Because much of what students are doing today is online, I like to think that we are doing our best to mold quality digital citizens.

Here are two presentations I share with my students near the beginning of each semester: Digital Citizenship and Smart Research, complete with an embedded assignment.

These presentations ask and attempt to answer two fundamental questions:  (1) In our wired world, can our students protect themselves while positively contributing to the information highway?  And (2), with millions of websites at their fingertips, can our students effectively evaluate websites?

_____

Icons for these presentations are from DryIcons

100 Films to Watch Before University

In the past, I’ve offered my opinion on the novels and the poems that may be the most important to encounter before attending a university. Well, after Friday’s workshop, where I was treated with the following YouTube video, I got thinking…

… This far removed from the Eighties, are today’s students going to have a familiarity with the movies frequently alluded to by teachers and university professors? So, while this is not a list of the greatest movies ever made, nor is it a list of my favourites, here (with a focus on the 1980s) is a list of movies that students should watch in order to understand the cinematic allusions sure to grace any good university lecture. For the record, here are my Top 100 Movies to Watch Before University; what are yours?

  1. (1939) Gone With the Wind
  2. (1941) Citizen Kane
  3. (1942) Casablanca
  4. (1946) It’s a Wonderful Life
  5. (1959) Ben-Hur
  6. (1960) Psycho
  7. (1961) Breakfast at Tiffany’s
  8. (1962) To Kill a Mockingbird
  9. (1964) My Fair Lady
  10. (1964) Mary Poppins
  11. (1965) The Sound of Music
  12. (1967) The Graduate
  13. (1968) 2001: A Space Odyssey
  14. (1972) The Godfather
  15. (1974) Chinatown
  16. (1974) Blazing Saddles
  17. (1975) Jaws
  18. (1975) Monty Python and the Holy Grail
  19. (1976) Rocky
  20. (1977) Slap Shot
  21. (1978) Grease
  22. (1978) Superman
  23. (1979) Apocalypse Now
  24. (1980) Blues Brothers
  25. (1981) Indiana Jones and the Raiders of the Lost Ark
  26. (1981) Chariots of Fire
  27. (1981) Mad Max 2: The Road Warrior
  28. (1982) E.T.
  29. (1982) Star Trek II: The Wrath of Khan
  30. (1982) The Man from Snowy River
  31. (1982) Blade Runner
  32. (1982) The Dark Crystal
  33. (1982) Tron
  34. (1983) Star Wars VI: Return of the Jedi
  35. (1984) The Karate Kid
  36. (1984) Ghost Busters
  37. (1984) Police Academy
  38. (1985) The Goonies
  39. (1985) Ladyhawke
  40. (1985) The Jewel of the Nile
  41. (1985) Pee-Wee’s Big Adventure
  42. (1985) St. Elmo’s Fire
  43. (1985) The Breakfast Club
  44. (1985) Back to the Future
  45. (1986) Ferris Beuller’s Day Off
  46. (1986) Pretty in Pink
  47. (1986) Stand by Me
  48. (1986) Top Gun
  49. (1986) Aliens
  50. (1986) Crocodile Dundee
  51. (1987) Wall Street
  52. (1987) Dirty Dancing
  53. (1987) Planes, Trains & Automobiles
  54. (1987) Spaceballs
  55. (1987) Some Kind of Wonderful
  56. (1987) James Bond: The Living Daylights
  57. (1987) The Princess Bride
  58. (1987) Robocop
  59. (1987) The Untouchables
  60. (1987) Good Morning Vietnam
  61. (1988) Bull Durham
  62. (1989) Bill & Ted’s Excellent Adventure
  63. (1989) Dead Poet’s Society
  64. (1989) Batman
  65. (1989) National Lampoon’s Christmas Vacation
  66. (1989) Steel Magnolias
  67. (1989) Major League
  68. (1989) Lethal Weapon 2
  69. (1989) When Harry Met Sally
  70. (1989) Field of Dreams
  71. (1990) Goodfellas
  72. (1990) Ghost
  73. (1990) Edward Scissorhands
  74. (1990) Pretty Woman
  75. (1990) Total Recall
  76. (1991) What About Bob?
  77. (1991) Silence of the Lambs
  78. (1991) Terminator 2: Judgment Day
  79. (1992) Wayne’s World
  80. (1992) A Few Good Men
  81. (1992) Reservoir Dogs
  82. (1993) Jurassic Park
  83. (1993) Groundhog Day
  84. (1993) Schindler’s List
  85. (1994) Forrest Gump
  86. (1994) Shawshank Redemption
  87. (1994) The Lion King
  88. (1994) Pulp Fiction
  89. (1995) Pride & Prejudice (A&E)
  90. (1995) Braveheart
  91. (1995) Toy Story
  92. (1995) The Usual Suspects
  93. (1995) Heat
  94. (1996) Jerry Mcguire
  95. (1997) Titanic
  96. (1997) Good Will Hunting
  97. (1998) Saving Private Ryan
  98. (1999) The Matrix
  99. (1999) The Sixth Sense
  100. (2001) The Lord of the Rings: The Fellowship of the Ring

Reflecting on Media Expectations in the English Classroom

On Friday I attended an excellent conference at our Board office:  Wired for Success.  I find that sessions like those energize me, giving me new ideas to explore but, more importantly, space to reflect on my own education process in the classroom.

The day began with this popular YouTube video:

Lately I’ve been thinking about the use of technology in the classroom (surprise!) and that big Media Studies strand in our provincial curriculum documents. (If the Ontario curriculum is unfamiliar to you, I’ll just quickly summarize: we have four major curriculum strands that are to be incorporated into all English courses: Writing, Oral Communication, Reading & Literature, and Media Studies.) It’s striking, isn’t it? Media Studies on par with Reading and Writing.

I know that when I first saw the new curriculum with Media Studies identified as such a major strand, I was surprised at the decision to do it that way. To my mind, the English classroom is about oral communication, reading, and writing, and “media” just encompasses the many non-traditional vehicles for engaging in those practices. Oral communication? We could build learning around a speech in front of a class, or around a podcast. Reading? There are my favourite novels to work with, and there are movies that operate with a grammar and syntax of their own. Writing? Students could practice with a short story, an essay or a blog.

But a colleague pointed out to me the wisdom of separating Media Studies from the other strands: it isn’t easily ignored this way. We teachers can tend to find something that works and we’re comfortable with, and keep using it. Why not? So that fantastic novel unit that we developed a year ago gets trotted out again this year, with a few updates … and then next year … and so on. It is extremely difficult to find the time or inclination to re-work our teaching approaches from the ground up. It’s unnerving, uncomfortable, and even scary. Oh, and it takes time, something we lack when school is in session.

A new strand in the curriculum document, however, can give some of us that push we need to re-think things. Just asking ourselves how we are meeting the expectations of the four strands makes us reconsider our approach and do more than just tweak our unit plans. Ignore an entire strand, however, and be prepared to answer to parents, administration, and even colleagues.

So I was excited to be a part of this conference at our Board. And while the presentations were superior and challenging in many ways, I did have one concern: balance. As I participated in the sessions, I began to get the impression that instead of Grade 11 English we were hoping to offer “Moodle 101″; or instead of ENG 4C it was to be “Wikispaces for Beginners.”

Don’t get me wrong: I’ve used wikis in my English classrooms for the last three years, blogs for the past four, and websites before that. I believe that these tools are important and need to be used as platforms for learning. I think that what I was struggling with was the hype around the technology itself without a genuine discussion of how that technology supports different types of learning. I fully intend to use different technology and media in the classroom, but always with the goal of improving my students’ skills in reading, writing, and oral communication.

Next semester, I’m going to test out a Ning with one of my courses and a Moodle with another. Ultimately, however, my students’ learning will be evidenced by their essays on Jane Eyre, their dramatic presentations of King Lear, and their analysis of gender stereotyping in advertising.

Top 5 Canadian Storytellers

My wife recently complained that Canadian Literature has really become like the Emperor’s New Clothes — we expect a book to be brilliant and then overlook the fact that many of these novels fail to tell a story at all. In contemporary literature, it appears fashionable to completely disregard the plot; authors seem caught up in a play of words that present a series of images which us readers are then expected to string together. These authors are more tricksters than guides. We’re expected to scratch our heads at the story and simply applaud the author’s erudite phrases; we’re expected to lead ourselves down the garden path.

Author David Adams Richards on Flickr

Where is the Robertson Davies or Mordecai Richler of today?

Well, for the record, here are my Top 5 Canadian authors that I happen to think are still doing an admirable job of telling our stories:

  1. Farley Mowat
  2. Wayne Johnston
  3. David Adams Richards
  4. Fred Stenson
  5. Stuart McLean

——

Image by Canada Reads

King Lear Collaborative Essays

Lear_200x140The Grade 12 students have been busily working on their King Lear collaborative essays and I’m anticipating some good holiday reading once they’re all handed in by Friday.

Throughout the unit, students were asked to publish two blog posts per week on the class blog portal. Students came up with questions that they had about the play, attempted to answer their own questions, and commented on their classmates’ blog posts. These blog posts, comments, and replies, are now the starting point for their collaborative essays.

For the King Lear collaborative essay, I asked the students to first think of the topic that they were most interested in writing about, and to think about their own opinion and ideas regarding that topic. Then, students went to the class blog portal and noted all of the relevant comments from their peers.

Once the students have stated their topic and their own opinion, and they’ve listed their peers’ key ideas and their own key ideas, then students are ready to arrange their essay around their reasons, their defence of those reasons, and rebuttals to their critics.

Some of the topics they’ve come up with include:

  • Who is the hero of “King Lear”?
  • Why did Cordelia refuse to give her father the answer he was looking for?
  • After being banished by Lear, why does Kent return?
  • When does Lear lose his sanity?
  • Did Lear give up his kingdom too early?

I’m excited to read these collaborative essays; they’ve really originated with the students and spring from the dialogue that they’ve been having on the class blog portal. The collaborative essay assignment requires the students to think for themselves and to be themselves; it requires students to put their oar in the water and join the 400-year old conversation that has revolved around the Bard.

I like Mr. B-G’s recent comments on teaching students to write:

How do we teach students to write? We teach them to think. We teach them to develop content. We help them understand ideas like elaboration and explication. We provide them with opportunities to stretch their minds and flex their intellectual muscles. We give them opportunities to pump out words and ideas without fear of judgement. We teach them how to think critically and make sense of their musings and meanderings. We show them how to tailor and edit and rethink and resee and rearrange. We empower them to be creators.

This King Lear collaborative essay assignment is so much more interesting for the class than the 5-paragraph essay format; it is free of the shackles of the 5-paragraph essay format that has been suffocating any potential talent. A collaborative essay assignment is… real.

——

Image by longhorndave

Reading Reflection: Batman, The Dark Knight Returns

batman_f_millerOur high school library has been increasing the number of graphic novels on its shelves and purchased Frank Miller’s Batman: The Dark Knight Returns just in time for my King Lear unit. As with The Watchmen, I find a lot of appropriate parallels to Shakespeare’s masterpiece, not the least of which is an aging figurehead unable to accept retirement, a power-struggle for the kingdom, and a lot of gratuitous violence.

While my students are creating multi-media presentations for their assigned King Lear scene, it helps to show them example pages from Batman: The Dark Knight Returns.

Alan Moore and Frank Miller have repeatedly proven to be ahead of their time; it seems incredible to me that their work was published in the mid-80s — the last great decade. The power and the fear, the hope and the despair, the tragedy and the comedy — it belongs in a Shakespeare unit, and it never disappoints the students.