Reading Reflection: Never Let Me Go

Based on recommendations and descriptions, I placed four novels that I had not previously read on the list of options for my Grade 12 University level students’ upcoming multi-genre assignment. Then I promptly began reading them in order to be well informed before my students give their presentations and submit their papers.

Never Let Me Go by Kazuo Ishigiro is fantastic, and I’m happy to have followed the advice I received to place it on the list of multi-genre project options — it fits perfectly with my course’s theme of identities, and is a good fit for a Grade 12 University level class.

(If you hope to read the book yourself, you may want to skip my summary of its contents here, as part of the magic of the story is discovering just what is going on with the odd setting and characters.)

The main characters of the novel, Kathy H. and her friends Ruth & Tommy, are clones who have been created for the purposes of organ donations. They were raised and educated at Hailsham, a school that focused on art and literature. Ishigiro, however, only very slowly makes this apparent as the novel unfolds. While this makes the first few chapters a little confusing, it is very intriguing. The reader only discovers that Hailsham students will never have children on page 66, that they were created to donate vital organs on page 73, and that they are indeed clones on page 127. Ishigiro is a master.

The first great question that this book raised for me was whether or not it is fair for these Hailsham students to spend their lives this way, while being reminded that there are many people in the world living in awful circumstances without any hope. Not to mention the fact that Hailsham students did at least get to receive a quality education!

The other great question that Never Let Me Go raised was: how can one prove that s/he has got a soul? I liked the fact that the school administrators collected students’ artwork and poetry in an effort to prove to the outside world that while they were clones, the students did indeed have souls.

The title of the book came from a song that Kathy repeatedly listened to — Track #3 on Judy Bridgewater’s album Songs After Dark (1956). Though Kathy imagines that the song is about a woman becoming a mother, Madame saw it as “a new world coming rapidly … more scientific, efficient … more cures … but a harsh, cruel world.” (249) Seeing Kathy dance to it, she pictured “a little girl … holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go.” (249)

And, of course, the title represents the relationship between the main characters, clinging to each other and to the memories they’ve shared. At the end of the novel, Tommy tells Kathy:

I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it’s just too much. The current’s too strong. They’ve got to let go, drift apart. That’s how I think it is with us. It’s a shame, Kath, because we’ve loved each other all our lives. But in the end, we can’t stay together forever.” (258)

I’d like to remind Tommy that he and Kathy and Ruth seemed to push each other away every bit as often as they may have tried to cling to each other. Perhaps that is just the way it can sometimes be with good friends. But with love?

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Image by FreeWine

Reading Reflection: The Lark in the Clear Air

Last week a colleague placed a novel in my hand as we passed each other in the hall en route to our respective classes. The Lark in the Clear Air, by Dennis T. Patrick Sears. “My all-time favourite,” he said. Indeed, his copy had a well-loved appearance.

Gingerly removing the disintegrating jacket lest I commit any further damage, I discovered a letter from the author, addressed to my colleague’s father, pasted inside the front cover. Dated the 2nd of October, 1975, Sears’ letter includes the following line:

This may sound silly in an age of cynicism but appreciation from readers is, to me, worth more than the financial rewards.”

Sears’ genuine gratitude and personal letter added to the book’s charm.

I immensely enjoyed both the time and place of this coming of age story — rural Ontario in the early years of the Great Depression, particularly the mentions of nearby Beaverton and Lindsay.

A little rough around the edges at times, readers currently enjoying the writings of Ray Robertson (Gently Down the Stream) would surely appreciate the tone and voice of this Canadian classic. It strikes me as a northern response to Erskine Caldwell‘s Tobacco Road or God’s Little Acre; I wonder how it is possible that The Lark in the Clear Air is not a part of today’s New Canadian Library series.

Sears is wonderfully witty, and his novel seems to suggest that, if we could simply clear the air a little, life truly would be a lark.

He knew, for instance, what made cock meadowlarks sing and fly in the clear air of the day, and it wasn’t simply to amuse a half-drunk old man and a raw slug of a youth. They did that, Mick said, for the purpose of staking claim to whatever territory they required to feed themselves and the family they expected. He said it wasn’t any different from what the human species set out to do, only a lark knew when to quit and he didn’t horn in and fence off a whole lot more land than what he could properly handle or what was needed for any given season. A human had more wart-hog in him than he had meadowlark and that was what was wrong with the world.”

Though I may never have a class set to teach from, The Lark in the Clear Air is a must read for both educators and youth with an interest in Canadian Literature.

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Image by qmnonic

Reading Reflection: Jane Eyre

I gave my list of 100 books to read to the students participating in our school book club, and they have elected to read and discuss books from that list that the majority of them have not yet read.

After working through Timothy Findley’s The Piano Man’s Daughter and Shakespeare’s Othello, Jane Eyre by Charlotte Brontë was their next selection. This novel is an option for our school’s Grade 11 (University) course, and it’s a good fit for that, providing lots of opportunity for analysis.

For teachers interested in finding writing or essay topics for students, Jane Eyre offers numerous comparative possibilities. Mr. Rochester and St. John Eyre Rivers are perhaps the most obvious choice here:

  • Mr. Rochester talks only of fairies, spirits, and a hedonistic past, while St. John Eyre Rivers speaks of God, heaven, the Bible, and the church.
  • St. John is handsome; Mr. Rochester is ugly, older, and ultimately disfigured.
  • with St. John, the weather is fair and the landscape offers beautiful pastoral scenery; with Mr. Rochester the weather and landscapes are grim and foreboding.
  • of course, it is only with Mr. Rochester that Jane can be loved and be loving.

A rather lengthy novel, there is easily enough material here for students to explore any one of these points, or many more. If it’s perspective that you’re looking for, students could easily choose from psychoanalytical, social class, or gender. In these areas, Jane remains entirely relevant for today’s reader.

The students in the book club were very happy to read Jane Eyre, and it was fun to track their comprehension, predictions, and reactions:

  • “Mr. Rochester is weird! He has such bizarre outbursts!”
  • “Grace Poole is pretty freaky.”
  • “I knew it couldn’t have been Grace! I knew there was more!”
  • “Every time Mr. Rochester starts one of his three-page speeches, I fall asleep.”
  • “I like Jane.”

One of the difficulties that we face today in trying to bring Victorian literature into the classroom, is the sheer size of the books. Not only are today’s readers less patient and more distracted than before, the curriculum itself has so much included that it can be difficult to squeeze in a 500-page Victorian novel. Furthermore, recent emphasis also seems to be on finding texts that will appeal directly to the male students. It can make Jane Eyre a tough sell for a novel unit. However, for the students who continue to choose Jane Eyre for their independent reading, this book rewards them richly.

Canadian Literature in the Classroom and in the News

‘Tis the season of literary prize announcements, and most notably for me are the Giller Prize (awarded last week), the Man Booker Prize (awarded last month), and the Governor General’s Awards (to be announced today).

Perhaps because I am rarely satisfied with the judges’ decisions, I am actually much more interested in the lists of finalists than I am in the final awarding of the prize. I like that the lists of finalists give me the opportunity to take stock of which books I have yet to get my hands on, and to add titles to my ever growing ‘To Read’ list.

As an educator, I find that I also approach the prizes with the impression that it is these titles that future students will possibly be studying in our schools. But should I? Are these media and political circuses ultimately doing the novels and their respective authors a disservice? Will readers eventually notice that decisions appear to be based on the biggest potential splash, the most buzz and the biggest headlines? If so, will the short term financial gain disguise a possible long term respectability pain?

With the announcement last week in favour of Joseph Boyden’s Through Black Spruce, despite the overwhelming preference by Canadian readers for Rawi Hage’s Cockroach, one of the jurists repeated for reporters that the decision was perhaps not the most politically correct one; and yet the more he spoke, the more radio listeners surely replied, “Methinks the Honourable Member for Toronto Centre doth protest too much.” What will people say ten years from now?

Oh well. Perhaps I’m simply still disappointed that André Alexis’ Asylum, surely the greatest book published in Canada this year, was overlooked by the prizes. In that case, perhaps I ought to start my own annual literary prize for fiction. …

The finalists for The Lamppost Literature Award, 2008 are:

  • Asylum, André Alexis
  • Good to a Fault, Marina Endicott
  • Cockroach, Rawi Hage
  • The Lost Highway, David Adams Richards
  • The Great Karoo, Fred Stenson

And the winner is … Asylum! Congratulations to André Alexis, and thank you for giving our nation a beautiful, intelligent and cathartic novel of refuge.

I feel better already.

100 Books to Read Before Starting University

To the students considering an English Literature program at university, I always tell them that they should at least be familiar with Homer’s The Odyssey, a handful of Shakespeare’s plays, and The Bible. In reality, though, their professors will assume a far greater familiarity with English literature. I therefore suggest that each student try to read the following list before starting his or her university education:

  1. The Hithhiker’s Guide to the Galaxy, Douglas Adams
  2. Watership Down, Richard Adams
  3. Next Episode, Hubert Aquin
  4. Foundation, Isaac Asimov
  5. Alias Grace, Margaret Atwood
  6. The Handmaid’s Tale, Margaret Atwood
  7. Oryx and Crake, Margaret Atwood
  8. The Blind Assassin, Margaret Atwood
  9. Emma, Jane Austen
  10. Pride and Prejudice, Jane Austen
  11. Crabbe, William Bell
  12. Fahrenheit 451, Ray Bradbury
  13. Jane Eyre, Charlotte Brontë
  14. Wuthering Heights, Emily Brontë
  15. Ender’s Game, Orson Scott Card
  16. Alice’s Adventures in Wonderland, Lewis Carroll
  17. Heart of Darkness, Joseph Conrad
  18. The Chocolate War, Robert Cormier
  19. JPod, Douglas Coupland
  20. The Plains of Abraham, James Oliver Curwood
  21. Fifth Business, Robertson Davies
  22. Leaven of Malice, Robertson Davies
  23. Tempest-Tost, Robertson Davies
  24. A Tale of Two Cities, Charles Dickens
  25. David Copperfield, Charles Dickens
  26. Great Expectations, Charles Dickens
  27. Crime and Punishment, Fydor Dostoevsky
  28. The Adventures of Sherlock Holmes, Sir Arthur Conan Doyle
  29. The Count of Monte Cristo, Alexander Dumas
  30. The Last of the Crazy People, Timothy Findley
  31. The Piano Man’s Daughter, Timothy Findley
  32. The Great Gatsby, F. Scott Fitzgerald
  33. Lord of the Flies, William Golding
  34. I, Claudius, Robert Graves
  35. The Curious Incident of the Dog in the Night-time, Mark Haddon
  36. The Mayor of Casterbridge, Thomas Hardy
  37. The Scarlet Letter, Nathaniel Hawthorne
  38. Catch-22, Joseph Heller
  39. A Farewell to Arms, Ernest Hemingway
  40. For Whom the Bell Tolls, Ernest Hemingway
  41. The Old Man and the Sea, Ernest Hemingway
  42. Dune, Frank Herbert
  43. The Outsiders, S. E. Hinton
  44. High Fidelity, Nick Hornby
  45. The Hunchback of Notre Dame, Victor Hugo
  46. Brave New World, Aldous Huxley
  47. Never Let Me Go, Kazuo Ishiguro
  48. The Colony of Unrequited Dreams, Wayne Johnston
  49. The Divine Ryans, Wayne Johnston
  50. The Fionavar Tapestry, Guy Gavriel Kay
  51. One Flew Over the Cuckoo’s Nest, Ken Kesey
  52. Flowers for Algernon, Daniel Keyes
  53. The Poisonwood Bible, Barbara Kingsolver
  54. The Jungle Book, Rudyard Kipling
  55. English Passengers, Matthew Kneale
  56. The Diviners, Margaret Laurence
  57. The Stone Angel, Margaret Laurence
  58. Sunshine Sketches of a Little Town, Stephen Leacock
  59. To Kill a Mockingbird, Harper Lee
  60. The Chronicles of Narnia, C.S. Lewis
  61. The Call of the Wild, Jack London
  62. The Way the Crow Flies, Ann-Marie MacDonald
  63. Barometer Rising, Hugh MacLennan
  64. Two Solitudes, Hugh MacLennan
  65. Island, Alistair MacLeod
  66. Life of Pi, Yann Martel
  67. Moby Dick, Herman Melville
  68. Who Has Seen the Wind, W.O. Mitchell
  69. Anne of Green Gables, Lucy Maud Montgomery
  70. Never Cry Wolf, Farley Mowat
  71. Z for Zachariah, Robert C. O’Brien
  72. Animal Farm, George Orwell
  73. Nineteen Eighty-Four, George Orwell
  74. Anthem, Ayn Rand
  75. The Fountainhead, Ayn Rand
  76. All Quiet on the Western Front, Erich Maria Remarque
  77. Mercy Among the Children, David Adams Richards
  78. Barney’s Version, Mordecai Richler
  79. The Apprenticeship of Duddy Kravitz, Mordecai Richler
  80. Harry Potter, J.K. Rowling
  81. Holes, Louis Sachar
  82. The Catcher in the Rye, J.D. Salinger
  83. Persepolis, Marjane Satrapi
  84. Frankenstein, Mary Shelley
  85. Bone, Jeff Smith
  86. Of Mice and Men, John Steinbeck
  87. The Grapes of Wrath, John Steinbeck
  88. Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson
  89. Treasure Island, Robert Louis Stevenson
  90. Dracula, Bram Stoker
  91. Uncle Tom’s Cabin, Harriet Beecher Stowe
  92. The Hobbit, J.R.R. Tolkien
  93. The Lord of the Rings, J.R.R. Tolkien
  94. The Adventures of Huckleberry Finn, Mark Twain
  95. The Once and Future King, T.H. White
  96. Night, Elie Wiesel
  97. The Picture of Dorian Gray, Oscar Wilde
  98. Where the Red Fern Grows, Rawls Wilson
  99. I am Charlotte Simmons, Tom Wolfe
  100. The Chrysalids, John Wyndham

Reading Reflection: The Piano Man's Daughter

Recently, our school’s student book club met and discussed our first book of the year: The Piano Man’s Daughter, by local favourite Timothy Findley. First published in 1995, it remains an excellent novel for a Grade 12 University class; it is as full of symbolism, historical relevance, and literary allusion as Canadian Literature can get.

The students shared a lot of ideas and discussed the ants and their City of Thebes, James’ abacus, and the wreath of flowers, as well as the town of McCaskill’s Mills, the Great Toronto Fire, and the poetry of Elizabeth Barrett Browning.

The highlight for me of our lunch-time meeting was the student-posed question, “Do you think Lily Kilworth is a Hamlet-like character?” Wow. I didn’t coerce the students into this train of thought; indeed, it hadn’t even occurred to me. But I’ve been able to think of little else since.

It makes sense. If we reverse genders, then Lily = Hamlet and Lizzie Wyatt = Ophelia. Also, Ede could be Gertrude and Frederick Wyatt could be Claudius with his dead brother, ‘the piano man’ Tom Wyatt certainly filling the role of the dead king Hamlet. The parallels are endless:

  • Frederick Wyatt steps in and marries the ‘widowed’ Ede Kilworth
  • Frederick is cruel to Ede’s daughter, Lily, and sends her to her fate (locked up in the attic)
  • Lily is suicidal; she would melt, thaw, and resolve herself into a dew
  • Lily’s wit is diseased, and she is dangerous; she must not unwatched go
  • Lily is haunted by the ghost of her uncle John Fagan; she holds discourse with the incorporal air
  • The ghost tries to inspire Lily to kill, to avenge his most foul and unnatural incarceration
  • Like Ophelia after Polonius’ death, so Lizzie after his meddling father’s death immediately loses his mind and dies

… and on and on.

The Piano Man’s Daughter is a great novel for high school students to read, study, and write about.

The David Adams Richards Book Club

With the madness of September well behind us and a waning October moon, it is time to turn our thoughts back to the staff book club, time to meet and chat about the books that we read this past summer, and select a few potential reads for the winter.

Our staff book club meets infrequently and we select a few titles in the hopes that everyone will be able to pick up at least one of them. Then, during the following months, it is fun to see teachers carrying identical books through the halls. The students notice too: “Hey! I just saw Mr. K. reading that book. Is it good?”

Here’s a checklist of our last two years.

Our focus has obviously been Canadian Literature, and we are drawn to David Adams Richards titles — it was the discovery that several of us wanted to read Mercy Among the Children that gave rise to the book club in the first place.

Now, with Fall Break approaching, I think that it is time to gather the 20 fellow teachers, to express our grief (and rage) that The Lost Highway and Asylum were excluded from the Giller Prize shortlist, to find out if anyone read The Letter Opener, and to see if anyone loved The Yiddish Policemen’s Union as much as I did.

Reading Reflection: The Audacity of Hope by Barack Obama

The Phys Ed instructor brought The Audacity of HopeAudacity book cover by the English office for me. It’s always nice when a football coach can recommend reading for the English teachers. Especially when it’s a good book such as this one was.

I particularly enjoyed the third chapter with its descriptions of the Senate and the White House, along with its reverence for Lincoln. I was also taken with the early synopsis of political partisanship: how the 60s defined liberalism and conservatism by attidtude, and how the “anger and oppositional spirit” of the new liberalism eventually led to the rise of Ronald Reagan’s calm conservatism of the 80s.

Reagan spoke to America’s longing for order, our need to believe that we are not simply subject to blind, impersonal forces but that we can shape our individual and collective destinies, so long as we rediscover the traditional virtues of hard work, patriotism, personal responsibility, optimism, and faith.” (31)

Throughout the book it was Obama’s praise for America’s political institutions and its past leaders that I enjoyed most. That, and students’ reactions to the book I was carrying to class: “Oh, that’s that guy from Oprah, right? I LOVE him.”

My disappointment was the feeling that, even after spending so much time with his ideas, I still do not know Obama. He talked up and down both sides of every issue, and often left me wondering just where he stood on the subject. I suppose he’s just a good politician and that many will praise him as an intellectual for this approach; but after 300 plus pages, I’d like to know him a little better.

Ultimately it may take four years of an Obama-Biden administration to better understand him. Whether we’ll be pleased or disappointed remains to be seen.

There and Back Again with Bilbo

For much of my life, when people have asked my about my favourite author, I have responded, “Do you mean other than J.R.R. Tolkien?” In my mind, I have set him apart. How can I compare him with my other favourites? So radically different, how can I juxtapose the Shire with Davies’ Salterton or Richler’s St. Urbain Street?

Bilbo Baggins was a childhood friend to me after my uncle Owen introduced us in the summer of 1984. It has been a friendship that I have been happy to share, encouraging my sisters and friends to pick up copies of The HobbitThe Hobbit and The Lord of the Rings.

However, since becoming a high school English teacher, I have balked at all opportunities to bring Tolkien into the classroom. I didn’t want to spoil Middle Earth by marching 30 teenagers through it. I have been protecting Bilbo from snide remarks and criticism the teens may express.

Until now. I finally relented and brought the two sides together. And I can’t believe I’ve waited so long! My Grade 9 / 10 split class is enthralled with The Hobbit. We are reading it aloud together and they do not want to stop.

It is rare that I hear students in the last class of a Friday afternoon say, “Awwwww, can we read some more?”

“Oh, all right. We’ll read until the bell.”

It was a perfect ending to the week. And, I’m just that much more inspired to return to school on Monday, because the last period of the day will be spent retracing the familiar paths of Middle Earth with an old friend.

_____

Photo courtesy of dino_olivieri

Reading Reflection: Watchmen

WatchmenThere have been a few books over the years that have cast a dark shadow over my days of experiencing them, from the moment the book is started until that when the final page is completed and catharsis can be sought near the bottom of a Cafe Americano. Experiences like Shakespeare’s King LearKing Lear, Joseph Conrad’s Heart of DarknessHeart of Darkness, Anne-Marie Macdonald’s The Way the Crow FliesThe Way the Crow Flies, or even William Golding’s Lord of the FliesLord of the Flies.

These are times when I’ve felt an intense desire to finish the book because every minute that a bookmark remains between the covers, my thoughts and emotions become a little blacker. Relief and redemption can only be won after the back cover is gained.

This of course is not a fault of the books, but rather it reveals the wonderful talent of the authors who can so completely affect my mood.

Alan Moore shares this talent and surprises the reader by writing this mood into the comic book format, publishing it in the increasingly popular graphic novel format. For Moore, the term “graphic novel” is double-edged. WatchmenWatchmen is so graphic, it has been accused of being almost pornographic.

Though fifteen years have passed since Watchmen first hit the stands, its sharp edge has not blunted a bit. This story of semi-retired masked vigilantes, caught up in the arms race and practically winding the Doomsday Clock to the top of the hour is sarcastic and all-too frightening.

While it possesses literary merit that is absent from may of Dickens’ pages, the blood and sex make Watchmen an unlikely classroom resource.

However, just tell the students that you’ve banned it from the classroom, and you’re guaranteed to have thirty of them getting their hands on a copy and engaging with literature on the sly.

Very clever.