Alternatives to the five-paragraph essay: Organic essays

This is part of a series exploring alternatives to the five-paragraph essay. You may also wish to read the series introduction or about collaborative essays, scripted dialogues, reading narratives, and multigenre papers.

The organic essay is one in which the form is intimately connected to the content of the essay. I do not find this easy to teach, but I do enjoy the submitted essays so much more than those that have been crammed into five neat paragraphs.

As we read through a text, I ask students to note in their ThinkBooks (journals) moments of interest or confusion. When we are finished reading, we go back through those moments and develop one or two genuine questions. I try to discourage those obvious thesis-leading questions, as students tend to hunt for those when they know an essay is coming up shortly.

Once we have those interesting questions, I ask students to start to collect any evidence that might have some bearing on the question. I encourage them to consider themselves forensic detectives in this exercise, avoiding any conclusions until they have assembled all of the relevant data.

We then begin to sort the data into relevant groups. I like to have students use mind maps or graphic organizers at this stage. Students could also write one piece of evidence on a single small piece of paper (or index card) and then pile those pieces into groups.

Once they have their groupings in place, then students get to develop a tentative thesis. I remind them again of the forensic detective approach here — their approach here should be to test their theory with the evidence at hand before developing final conclusions.

And at this point they can create an outlined structure for their essay. I ask students to write one sentence that summarizes each grouping / pile of evidence. They organize those sentences into an order that seems to best convey their evidence. Each sentence in their outline tends to become the topic sentence of a paragraph in the essay, which makes for easier drafting.

As I mentioned at the start, this is not an easy approach to teach or evaluate. Students often need to be introduced to basic classification skills before we can start this. Many of them get stumped and frustrated not having the usual five-paragraph crutch at hand.

Almost all, however, eventually wind up thinking their way through the writing process and create something worthwhile in the end.

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Alternatives to the five-paragraph essay: Series Introduction

This semester I have been thinking about, reading about, and looking up alternatives to the five paragraph essay. I feel that I’m at a good point in my learning to take stock of what I’ve discovered and invite some feedback.

It probably comes as no surprise that I have become disenchanted with the five paragraph (or 32-sentence) essay. Why? I believe that thoughtful writing is a critical skill that we teachers have the opportunity to encourage our students to develop. I do not believe that every piece of thoughtful writing can be expressed in five neat paragraphs: introduction, three arguments, and conclusion. I believe that the structure of writing should emerge from the ideas and assist in expressing them, rather than strong-arming them into a neat format that, coincidentally, is easy to mark.

Five-paragraph essays are tidy; emerging thinking is not. I wonder if by relying on formulaic writing we are insulating ourselves from the messiness of teaching students how to develop and express an opinion? Teaching a form is relatively easy: a couple of fill-in-the-blank forms go a long way to completing the lesson. Encouraging students to develop and express their ideas is entirely different.

So in the upcoming days, I’ll examine alternatives to the five-paragraph essay that I’ve encountered. Some of these alternatives I’ve tried out in some fashion; some I haven’t yet.

Here’s what’s in store:

  • Collaborative essays
  • Scripted dialogue
  • Reading narratives
  • Multi-genre papers
  • And what I’m calling “The Organic Essay”

One final note: Many of you will recognize Bruce Pirie’s fingerprints all over this series. It would be hard to overestimate the impact that his writing has had on my own teaching practice. If you haven’t read his Reshaping High School English or Teenage boys and high school English, I cannot recommend them highly enough. (If you’re an Ontario teacher, you can borrow a copy from the Ontario College of Teachers library — if I don’t have it out at the time, of course.)

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