Alternatives to the five-paragraph essay: Organic essays

This is part of a series exploring alternatives to the five-paragraph essay. You may also wish to read the series introduction or about collaborative essays, scripted dialogues, reading narratives, and multigenre papers.

The organic essay is one in which the form is intimately connected to the content of the essay. I do not find this easy to teach, but I do enjoy the submitted essays so much more than those that have been crammed into five neat paragraphs.

As we read through a text, I ask students to note in their ThinkBooks (journals) moments of interest or confusion. When we are finished reading, we go back through those moments and develop one or two genuine questions. I try to discourage those obvious thesis-leading questions, as students tend to hunt for those when they know an essay is coming up shortly.

Once we have those interesting questions, I ask students to start to collect any evidence that might have some bearing on the question. I encourage them to consider themselves forensic detectives in this exercise, avoiding any conclusions until they have assembled all of the relevant data.

We then begin to sort the data into relevant groups. I like to have students use mind maps or graphic organizers at this stage. Students could also write one piece of evidence on a single small piece of paper (or index card) and then pile those pieces into groups.

Once they have their groupings in place, then students get to develop a tentative thesis. I remind them again of the forensic detective approach here — their approach here should be to test their theory with the evidence at hand before developing final conclusions.

And at this point they can create an outlined structure for their essay. I ask students to write one sentence that summarizes each grouping / pile of evidence. They organize those sentences into an order that seems to best convey their evidence. Each sentence in their outline tends to become the topic sentence of a paragraph in the essay, which makes for easier drafting.

As I mentioned at the start, this is not an easy approach to teach or evaluate. Students often need to be introduced to basic classification skills before we can start this. Many of them get stumped and frustrated not having the usual five-paragraph crutch at hand.

Almost all, however, eventually wind up thinking their way through the writing process and create something worthwhile in the end.

_____

Image by tosaytheleast

Alternatives to the five-paragraph essay: Scripted Dialogue

This is part of a series exploring alternatives to the five-paragraph essay. You may also wish to read the series introduction and about collaborative essays.

Encouraging students to consider multiple perspectives to a text is a challenge I enjoy and find quite rewarding. It’s frankly exciting to see students’ understanding of a text evolve into something far more nuanced than that with which they began.

I have found that asking students to create a dialogue between themselves and one of the characters or the narrator of a text is a terrific way to invite them into this type of learning. As we read through a text, I ask students to pay attention to moments when characters confuse them, interest them, upset them, or otherwise catch their attention. We keep track of those moments — sometimes as a class, sometimes in individual learning journals — as we progress through the story.

After we’ve finished reading, I ask students to choose one character who has caught their attention most often. Their next task is to develop a dialogue with that character. They start with a series of questions that they would like the character to answer, and then go about trying to answer them from the perspective of the character. The final product is a written dialogue, usually in the form of a script, although sometimes in the form of a letter or email exchange.

What I appreciate about this format is that it encourages students to explore a text, to wonder, to investigate without having a pre-fabricated answer in the form of a thesis. Students tend to finish the exercise more positively than they do that of writing a five-paragraph essay, which is always important for me. (I want to have students leaving my classroom excited about reading, not discouraged by it.)

I’d wager, too, that students have done at least as much hard thinking in the process of creating this dialogue as they have in defining a thesis and mustering evidence to support it.
_____

Image by tosaytheleast