Reading Reflection: Never Let Me Go

Based on recommendations and descriptions, I placed four novels that I had not previously read on the list of options for my Grade 12 University level students’ upcoming multi-genre assignment. Then I promptly began reading them in order to be well informed before my students give their presentations and submit their papers.

Never Let Me Go by Kazuo Ishigiro is fantastic, and I’m happy to have followed the advice I received to place it on the list of multi-genre project options — it fits perfectly with my course’s theme of identities, and is a good fit for a Grade 12 University level class.

(If you hope to read the book yourself, you may want to skip my summary of its contents here, as part of the magic of the story is discovering just what is going on with the odd setting and characters.)

The main characters of the novel, Kathy H. and her friends Ruth & Tommy, are clones who have been created for the purposes of organ donations. They were raised and educated at Hailsham, a school that focused on art and literature. Ishigiro, however, only very slowly makes this apparent as the novel unfolds. While this makes the first few chapters a little confusing, it is very intriguing. The reader only discovers that Hailsham students will never have children on page 66, that they were created to donate vital organs on page 73, and that they are indeed clones on page 127. Ishigiro is a master.

The first great question that this book raised for me was whether or not it is fair for these Hailsham students to spend their lives this way, while being reminded that there are many people in the world living in awful circumstances without any hope. Not to mention the fact that Hailsham students did at least get to receive a quality education!

The other great question that Never Let Me Go raised was: how can one prove that s/he has got a soul? I liked the fact that the school administrators collected students’ artwork and poetry in an effort to prove to the outside world that while they were clones, the students did indeed have souls.

The title of the book came from a song that Kathy repeatedly listened to — Track #3 on Judy Bridgewater’s album Songs After Dark (1956). Though Kathy imagines that the song is about a woman becoming a mother, Madame saw it as “a new world coming rapidly … more scientific, efficient … more cures … but a harsh, cruel world.” (249) Seeing Kathy dance to it, she pictured “a little girl … holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go.” (249)

And, of course, the title represents the relationship between the main characters, clinging to each other and to the memories they’ve shared. At the end of the novel, Tommy tells Kathy:

I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it’s just too much. The current’s too strong. They’ve got to let go, drift apart. That’s how I think it is with us. It’s a shame, Kath, because we’ve loved each other all our lives. But in the end, we can’t stay together forever.” (258)

I’d like to remind Tommy that he and Kathy and Ruth seemed to push each other away every bit as often as they may have tried to cling to each other. Perhaps that is just the way it can sometimes be with good friends. But with love?

——
Image by FreeWine

The Benefits of Having Students Choose Their FCA Novels Early

The Final Culminating Activity for my Grade 12 course will be a multi-genre project and presentation providing students with the opportunity to synthesize their learning from the semester and demonstrate their learning achievements in the areas of reading, writing, oral communication, and media studies.

A few weeks ago, I had the students each select a relatively recent novel from a list I’d created based on identities, the theme that has loosely tied the semester together. We’ve been considering identities that we create on our own, those shaped by our biggest influences, and those scripted by society.

Though we are still three weeks away from the Letter of Intent that each student must write for me, and another month from the first draft of the assignment, the requirement that they both select their novel and post a related reading reflection on their student blog has encouraged students to get a copy in hand and, in most cases, delve into it. I’m glad to see them starting well in advance, because I know that’s going to translate into more considered, interesting projects.

As an aside, I tried to emphasize relatively contemporary novels in the list from which students could choose. I had a couple of reasons for doing so. First, I wanted students to exit high school with at least a passing familiarity with modern, and possibly Canadian, fiction. Second, and perhaps more importantly, I surmised that the material available online for students to pillage and plagiarize would be much smaller, and therefore much less tempting, for more recent and sometimes obscure novels. We shall see.

For those of you who are interested, here’s the list that we’re working from this year. Next time around I hope to remove all of the older works and include more current (mostly Canadian) novels.

  1. Mercy Among the Children — David Adams Richards
  2. The Lost Highway — David Adams Richards
  3. The Friends of Meager Fortune — David Adams Richards
  4. Alias Grace — Margaret Atwood
  5. The Handmaid’s Tale — Margaret Atwood
  6. The Blind Assassin — Margaret Atwood
  7. The Penelopiad — Margaret Atwood (read with Homer’s Odyssey)
  8. Possession — A. S. Byatt
  9. The True History of the Kelly Gang — Peter Carey
  10. The Amazing Adventures of Kavalier and Clay — Michael Chabon
  11. The Jade Peony – Wayson Choy
  12. The River Thieves — Michael Crummey
  13. J-Pod — Douglas Coupland
  14. Fifth Business — Robertson Davies
  15. The Piano Man’s Daughter — Timothy Findley
  16. The Curious Incident of the Dog in the Nighttime — Mark Haddon
  17. A Thousand Splendid Suns — Khaleid Hossein
  18. Never Let Me Go — Kazuo Ishigiro
  19. The Colony of Unrequited Dreams — Wayne Johnston
  20. The Poisonwood Bible — Barbara Kingsolver
  21. The Stone Angel — Margaret Laurence
  22. The Way the Crow Flies — Ann-Marie MacDonald
  23. Two Solitudes — Hugh Maclennan
  24. No Great Mischief — Alistair MacLeod
  25. Life of Pi — Yann Martel
  26. Such a Long Journey — Rohinton Mistry
  27. Anil’s Ghost – Michael Ondaatje
  28. The Apprenticeship of Duddy Kravitz — Mordecai Richler
  29. A Complicated Kindness — Miriam Toews
  30. The Stone Carvers — Jane Urquhart
  31. The Englishman’s Boy — Guy Vanderhaeghe
  32. The In-Between World of Vikram Lall — M. G. Vassanji
  33. I Am Charlotte Simmons — Tom Wolfe
  34. English Passengers — Matthew Kneale

Alternatives to the five-paragraph essay: Multigenre papers

This is part of a series exploring alternatives to the five-paragraph essay. You may also wish to read the series introduction or about collaborative essays, scripted dialogues, and reading narratives.

I first encountered the concept of the multigenre paper a year ago, and chose to use it as the course culminating activity with my Grade 12 College-level students. Throughout the year we had been asking what we called “life’s big questions” designed to get us all thinking about our values and ideals. The final project was an opportunity for students to pull their learning together and communicate what they believed.

Very simply, a multigenre paper comprises a variety of genres communicating ideas related to a focus theme or guiding question. Often students are asked to use a minimum number of genres in their final project.

If you’re curious, the Reflective Teacher has a great example of a multigenre assignment sheet. I’ve also found this fairly advanced outline helpful, although needing heavy modification for high school.

The multigenre approach worked very well. Students used a range of genres to explore and explain their core beliefs, and their submissions were thoughtful and creative.

I’ll admit that it was difficult for me to set aside so completely the five-paragraph essay with its comfortable limitations. Multigenre papers cannot be taught en masse with fill-in-the-blank handouts, and they aren’t easily marked. I’m glad I persisted, though, as the results were so satisfactory. Students actually enjoyed this assignment and really worked with the genres to express their beliefs.
_____

Image by tosaytheleast